The guards outside Darabshaw House in Ballard Estate have only a vague clue why the otherwise quiet commercial neighbourhood has been changing a little every weekend. On Friday evenings, groups of people appear to fix lights on the Victorian and Italian Renaissance-style buildings, some of which are 100 years old. The next day, large numbers of people drop by and are admitted into barricaded areas of the streets from which the guards can catch the sights and sounds of merriment. "It seems to be something like the Kala Ghoda festival," one of them guesses. By the time they return to work on Monday, however, there is no trace of what happened.
To find out what goes on inside, they would need to pay an entry fee. These scenes are in fact part of the Ballard Estate festival, an attempt to rejuvenate the heritage precinct in south Mumbai that is owned and maintained by the Mumbai Port Trust. The idea, according to an announcement by the trust, was to showcase performing arts on weekends and public holidays when the Ballard Estate area is typically closed. The auction was won by Ferriswheel Entertainment, which reportedly pays a rent of around Rs 50,000 a day and handles the content and design of the proceedings.
A live painting installation at the Ballard Estate festival in Mumbai
Street artistes at the festival
Most of the action so far is restricted to the Ballard pier square, where a memorial stands for those who died in World War I. Eventually, Bhardwaj hopes to engage more streets of the neighbourhood. Among her ambitious plans is an open-air theatre with bean bags and cordless headphones.
The festival cannot be compared to any existing ones, says Bhardwaj. "We are just an urban space and suddenly we are open and accessible to people." The organisers do not want to disturb the region; they only wish to bring it back into use. Weekend office-goers are given a band to facilitate entry and exit. There are spaces for children and pets. As yet, the concept's success in drawing people has not been up to expectations, according to officials in the port trust's business development cell. Its accessibility has come into question, too, as visitors have to pay Rs 150 as entry fee. While it was envisioned to be free and open to all, a lack of sponsors has compelled organisers to levy a charge. At the moment, Bhardwaj admits, the festival is making losses and funds are sourced from the company's pocket. To convince advertisers that the festival can make money, it was necessary to sell tickets, she says. College students are allowed entry for free.
A performance by Raghu Dixit
Although the port trust was reportedly even considering raising building rents in Ballard Estate to market levels, the festival, if it succeeds, could serve as an alternative to boost revenue. So far, money seems to have eluded the renewal of this once-bustling financial precinct.