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Himalayan fastnesses

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Kishore Singh New Delhi
Last Updated : Jun 14 2013 | 3:54 PM IST
The market for Serbjeet Singh's work lacks buzz but could grow.
 
There was a time, some 40 years ago, when Delhi's Kumar Art Gallery would pay artists a monthly salary of Rs 500 every month, and they were required to paint and give the gallery their works "" on average, at least one every month.
 
Serbjeet Singh remembers even M F Husain being on its rolls, but even though he was initially bonded with the gallery, he opted out soon after.
 
But the gallery still has some of that work which it now sells for Rs 40,000-50,000, he says.
 
For a 77-year-old, Serbjeet Singh is spry and alert, and still paints "" though the passion has now dimmed. But then, even at the height of his career, he was never a busy painter "" unlike his peers in the profession "" but a filmmaker.
 
Nevertheless, Serbjeet Singh has made a name for himself as a man who paints (as indeed he also films) the Himalayas, and his works have been likened to the elemental lines of everyone from B C Sanyal to Ram Kumar. But for all that, he has never commanded a huge market, nor opened himself for commercial exploitation.
 
Part of the reason was his doggedness that did not make room for any change in the kind of work he was doing. For another, collectors always felt he was a filmmaker first and a painter next, and therefore did not give him the due he should have got, says a gallerist.
 
The artist himself has kept gallerists at some distance, preferring to sell his works directly. On average, he says he does no more than a half-dozen paintings every year, and holds an exhibition every five years or so.
 
"People say they would like to do my show at India International Centre, or India Habitat Centre, or at some five-star hotel, but I do not wish to get involved."
 
Despite his maverick ways, Serbjeet Singh's works should get a price. "He is currently not in fashion," says another gallerist, "but the wheel is bound to come around, and because of the rarity of his works, his price will ascend hugely. It is a good thing to have him in your portfolio."
 
Ironically, it is for his digital prints of the Himalayan panoramas that Singh gets paid as much as Rs 1 lakh. But then, he says that he's the only expert of his kind to do panoramas that have earned him the admiration of even the Indian Army.
 
Also, Singh was the first to start using acrylics four decades back, when Satish Gujral4 and Husain were still defending oils.
 
"They're like the tempera Dutch masters would use," he gloats, "and can last over 5,000 years." Or almost as long as the Himalayas he loves to paint.

 
 

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