Born 'Gopi Shanta' in 1937 in the sleepy temple town of Mannargudi in Tamil Nadu, she assumed the name of 'Manorama' later when she began acting in stage plays in Chettinad region when she was barely 12 years old.
Raised in Pallathur near Karaikudi in Chettinad by her mother in trying circumstances, she first sang for a drama 'Andaman Kathali' and donned the role of a heroine in later plays. Subsequently she entered the reel world debuting with 'Malayitta Mangai,' produced by acclaimed poet Kannadasan in 1958.
As she hailed from Chettinad, she was called 'Aachi' (Mother) in tune with the practice in that region.
She could effortlessly speak any dialect of Tamil or variants of specific communities, be it the highly colloquial "Madras Tamil", Chettinad, Coimbatore or the distinctive variant of any community like the ones spoken by Brahmins or Gounders.
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Though she aspired to be a heroine, the advice rendered by Kannadasan that "you may be successful as a heroine for some years till you are a youngster, but as a comedian you could go on all your life," was a turning point.
That her role as a lovelorn, old landlady in "Nadigan" and as a maid in "Samsaram Athu Minsaram" are still telecast in comedy slots in television channels, shows her talent.
Her portrayal of 'Jiljil Ramamani' character (an amateur nadaswaram player) in legendary movie "Thillana Mohanambal" is still remembered.