Continuing his "non-linear" format of storytelling with cyclicality of characters, his new book 'The Patna Manual of Style', provides "jump cuts" and throws a "smokescreen" between reality and fiction, thereby creating a "sense of hyper reality" for readers, in a throwback to his first novel "Patna Roughcut".
A cocktail of nine interlinked fictional stories, with characters recurring "tangentially" in the book, the author attempts to weave stories of life and death, of love and of struggles and challenges in the publishing industry, of glamours of being a successful author and the somewhat unglamourous world of proofreaders, through whom the book passes through before to the readers.
"The characters of Ritwik Ray in 'Roughcut' and Hriday Thakur in 'Patna Manual' were introduced in my first work, and Hriday assumes a bigger role in second novel 'Day Scholar'. Readers having read those books will already have a sort of history of these characters but, I have still made them stand-alone and even new readers will not miss anything," says Chowdhury.
Hriday meets Jishnu Da in Delhi, where the former, an aspiring writer, works for a third-rung lifestyle magazine, and the duo renew their links of University days, and reminisce of life and lessons learnt in Patna. In other stories, readers meet the men, who have influenced Hriday and women he has loved or still continues to love, despite the mellowness brought in him with time and changing circumstances.