The jury, headed by Steven Spielberg, took the unusual move of awarding the Palme not just to Tunisian director Abdellatif Kechiche, but also to the film's two stars: Adele Exarchopoulos and Lea Seydoux. The three clutched each other as they accepted the award, one of cinema's greatest honors.
"The film had a beautiful French youth that I discovered during the long time filming the movie," said Kechiche at the festival closing ceremony yesterday. "It taught me a lot about the spirit of freedom."
"The film is a great love story that made all of us feel privileged to be a fly on the wall, to see this story of deep love and deep heartbreak evolve from the beginning," said Spielberg. "The director didn't put any constraints on the narrative, on the storytelling. He let the scenes play in real life."
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Cannes feting of "Life of Adele" comes just days after France legalized gay marriage. Thousands of protesters marched against the new law yesterday in Paris. But jury member Cristian Mungiu, the Romanian director, said current events had no bearing on the decision.
"We were giving awards to cinema," said Mungiu. "Not for political statements."
"Gay marriage is something that many brave states in America are resolving," said Spielberg. "This film actually carries a wry, strong message, a very positive message."
The Palme d'Or, which the jury selected from the 20 films in competition at Cannes, had been viewed as a relatively wide-open race ahead of yesterday's awards. The festival audience embraced the jury's choice, giving Kechiche and his two stars a standing ovation. "Life of Adele" had ranked highest in critics polls at the French Riviera festival.
The Coen brothers' 1960s folk revival "Inside Llewyn Davis" earned the Grand Prix, Cannes' second most prestigious award. The film's breakout star, Oscar Isaac, accepted the award for the Coens, who won the Palme in 1991 for "Barton Fink."
Best actor went to 76-year-old Bruce Dern for Alexander Payne's father-son road trip "Nebraska." Berenice Bejo, the "Artist" star, won best actress for her performance as a single mother balancing a visiting ex-husband and a new fiance in Asghar Farhadi's "The Past."
The jury prize, Cannes' third top award, went to Kore-eda Hirokazu's gentle switched-at-birth drama "Like Father, Like Son." Mexican filmmaker Amat Escalante took best director for his brutal drug war drama "Heli."