Stereoscopic vision is the brain's ability to decode the flat 2D optical information received by both eyes to give us the depth of perception needed to thread a needle, catch a ball, park a car and generally navigate a 3D world.
Using computerised perceptual tasks, researchers from University of California (UC), Berkeley in the US and the University of Geneva in Switzerland, tested the stereoscopic vision of dressmakers and other professionals, and found dressmakers to be the most eagle-eyed.
"We found dressmakers have superior stereovision, perhaps because of the direct feedback involved with fine needlework," said study lead author Adrien Chopin, a postdoctoral researcher at UC Berkeley.
What researchers are still determining is whether dressmaking sharpens stereoscopic vision, or whether dressmakers are drawn to the trade because of their visual stereo-acuity, Chopin said.
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It has generally been assumed that surgeons, dentists and other medical professionals who perform precise manual procedures would have superior stereovision. However, previous studies have shown this not to be the case.
For the study, participants viewed objects on a computer screen through a stereoscope and judged the distances between objects, and between themselves and the objects.
Researchers recorded their visual precision and found that, overall, dressmakers performed markedly better than their non-dressmaker counterparts in visual acuity.
A better understanding of dressmakers' stereoscopic superpowers will inform ongoing efforts to train people with visual impairments such as amblyopia or "lazy eye" to strengthen their stereoscopic vision, Chopin said.
In addition to helping people with sight disorders, improved stereoscopic vision may be key to the success of military fighters, athletes and other occupations that require keen hand-eye coordination.
For example, the 17th-century Dutch painter Rembrandt, whose self-portraits occasionally showed him with one lazy eye, is thought to have suffered from stereo blindness, rendering him with flat vision.
Some vision scientists have posited that painters tend to have poorer stereovision, which gives them an advantage working in 2D.