"I was proud to see the first edition of the biennale as a Malayali, but this one is so strong artistically, aesthetically and in content, that it has a place of pride in India. It will bring a change in the national art scene," said the 69-year-old social commentator, who is in Kochi for a couple of days to visit all the eight biennale venues.
Having earlier urged the government to lend support to the first edition of the exhibition, the Chendamangalam-born novelist said the 'Muziris' aspect of the biennale lent him an emotional connect with it, because his path-breaking novel 'Marupiravi' has an angle dealing with this ancient trading port.
As for Zacharia, the heterodox litterateur noted that KMB has outlived strong opposition from all quarters to emerge as a strong socio-cultural force that would sow seeds of transformation in students and homes in a state that has not moved with contemporary trends in art and literature.
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The novelist-essayist, who lives in Thiruvananthapuram, felt that the KMB compared favourably to the Sydney Biennale, which he found to be "technical and without ties" to people.
"This biennale connects, and throws challenges and raises questions in our socio-cultural context," said Zacharia. "It makes us rethink our ideologies, fundamentalism in religion and class differences."
On his part, Sethu said he remembered going to the triennale in Delhi as a child.
"Despite all the facilities, the people in the national capital could not take it forward. It is good to see that art survives, and the biennale has stunned its critics into silence," said the septuagenarian.