Standing amidst a sea of corpses, a river flowing red with the blood of the vanquished, Ashoka slowly removes the veils of arrogance and 'Abhimaan' clouding his intellect. Eyes filled with tears and hands folded in obeisance, he descends from the stage, marking his symbolic departure from the ivory tower of his ego, a man bloodied in battle, humbled in life.
This powerful scene marked the end of the beginning aft of the four-act production titled 'Shuunyata', late last evening.
A synthesis of elements of Kathak with traditional Buddhist Vajrayana chants and dance form called Vajra Nrityam, the endeavour was a collaborative venture between Shovana and Buddhist monks of the Palpung Sherabling Monastic Seat who had winning a Grammy award for their chants in the year 2004.
"There is an inner chant within each of us. And there is an inner movement between each of us. Shunyata, I think, was just an external manifestation of the two genres," Shovana said.