In 'October', challenge was not to be melodramatic: Shoojit Sircar

With a story about love, longing and loss, Shoojit Sircar could have easily made his film "October" melodramatic but the filmmakers says he chose not to go overboard as he wanted to give the story a life-like feel.

"October" features Varun Dhawan as Dan, an endearing hotel trainee who undergoes a transformation when his colleague Shuili, played by Banita Sandhu, is hospitalised after a freak accident.

Sircar is elated that both the film and his "directorial craft" from cinematography, music, editing to the treatment of charactershas been appreciated.

"I had never tried this genre. To hold on to yourself, not let it go, not to play it to the gallery, not to be melodramatic while still being realistic was a challenge... I had to restrain myself," Sircar says.

In an interview with PTI, the director explains the origin of "October", why his characters behave the way they do in the film and his biggest take away from it.

Excerpts:
Q) You previously mentioned that the film draws heavily from your personal experiences. Were you Dan at any point of your life?
"Talking to her, waiting, sleeping in the hospital, the crunches of the money. Constant debates within the family and doctors- to pull or not to pull the plug. That's a big debate which goes on when someone is on a ventilator for months. I've gone through these dilemmas."
Q) What did that period do to you?
A: "It definitely had a deep impact, it was a learning (experience) and since then I knew everything what happens in a comatose situation. Coma became my study since then. It's an absolute uncharted territory."
Q) So was "October" one of the first stories you wanted to share with the world before you made "Yahaan"?
"The starting point was my life, then bit of 'Shoebite' (his unreleased film starring Amitabh Bachchan) also dealt with coma. Juhi's mother was also on ventilator for a long time. So she came up with this thought and during 'Piku', we started working on it."
Q) Is that whythe fact that your mother was in coma and Juhi's was on ventilatorthat 'October' has really strong mothers?
A: "Yes, absolutely. The unparalleled love of a mother is always there for the kids, specially when they're growing up and about to leave the family and go away. The mothers play a very strong part. They let go, they love selflessly."
A: "Yes, we kept on talking about how it should go but we both agreed that it has to end this way. Because the kind of fall she has, she was not supposed to live. But she pulls through. We thought, in the end, when he takes home the Shuili plant, he got his Shuili back. That was his redemption. Is he still in love? I left that open. May be not, may be yes. But he did this thing very selflessly."
Q) Did Shuili die happy?
A: "I think so, somewhere down the line. I kept it open for people to interpret. When she calls out his name in the end, she possibly conveyed what she wanted to. She discovered him only through hospital visits. May be she was listening. In medical science, there is a debate that coma patients listen to every conversation."
Q) The turnaround for Dan happens when he visits Shuili in the hospital and then later he gets completely fixated when he gets to know that her last words before the accident were 'Where is Dan?' Did he get obsessed with it because his life was aimless and he saw a purpose in those words?
A: "Well, his life was aimless and he still didn't find a purpose. When he went to the hospital, he got sucked into that world. When he saw her body, it affected him becauseand that's what we feltthat he never saw her as a patient. He saw her as a normal girl."
Q) The pace of 'October' is so life-like. What was the trick to make the film engaging even if nothing monumental is happening at the screenplay level?
A: "You have to be with the character, the camera has to be in the milieu, my landing of the audience has to be directly in the middle of the ICU, they should be 'ghera-oed' by that situation. My brief to my DoP and actors is just that- the audience should be there with you and not watch you from a distance."
Q) How has 'October' changed you?