Haloi, who moved to Kolkata after partition in 1950, was later commissioned by Archaeological Survey of India to make copies of murals at Ajanta Caves.
Now, 27 of his selected works, both paintings and sculptures, have made their way to the ongoing Documenta 14 -- one of world's prestigious art events being held both in Athens in Greece and Kassel in Germany.
Haloi says his migration from his native place left an indelible mark on his imagination.
For him, memory has always proven to be crucial and enabled him to paint beautifully on canvas during periods of anxiety and pensiveness.
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Largely influenced by nature, his simple gouache on paper is symbolic of the timeless struggle he faced while establishing himself as an artist.
"I try to capture the outside world as I see through my eyes since multiple memoirs of my life have always served as an inspiration for me. As a child, I suffered the anguish of being uprooted from my place of birth and that is why my childhood has found way in my works," Haloi told PTI.
"I try to paint a land that is my own. My land...With my rules. It is the struggle to create this land that makes the process of painting interesting for me. The space tension with the object has to be maintained during the course of my work," he says.
Haloi, who has been a member of the Society of Contemporary Artists since 1971, doesn't like his artworks being labelled as mere abstracts.
He says that he captures the reality of what he sees around.
In one of his works, he paints boats against a dark blue backdrop -- a representation of how the sea tones transform by the night.
"I used sit on the banks of the river and observe the water and the marshy lands. I used to hear these strange voices and always wondered where they were coming from. Perhaps, that is how I was drawn to abstracts," he says.
"Szymczyk then decided to showcase my works in this two- city exhibition in Europe... It was a happy moment," says Haloi.
Natasha Ginwala, who has curated Haloi's show at Documenta, has also showcased his works at an exhibition in London.
"I have been privileged to work closely with Haloi while exhibiting his works in Berlin, London and now at Documenta 14 in Athens and Kassel. While working with him, I developed an understanding of his sources of inspiration and his unique methodology in the lively use of gouache and ink," says Ginwala.
"In Athens, we are exhibiting his recent paintings and two sculptures at the Athens Conservatoire (Odeon), a space that is filled with sonic experience and the teachings of music, with artistic works that also consider rhythm notation and the exhibition itself as an immersive and improvised score.
"In Kassel, we will be exhibiting a different set of paintings that expose his relation to land and the geography as an abstract condition. This spatial relation builds through earth tones and pigments shaping and outlining a range of luminous greens, browns and terracotta reds," she says.