For Lakshmi R, who hails from Tamil Nadu's Tirunnelveni district, weeping on command and often during funerals for strangers, is a profession she has been practicing for the past over 20 years
The 57-year-old professional mourner, a practicioner of 'Oppori', the ancient tradition of singing to express grief and lament, gave a live performance here recently.
The event was part of the finale event marking a show curated by the Delhi-based artist collective Khoj. Titled "Nameless Here for Evermore" it showcased art reflecting on global suffering and collective trauma.
Grover, also a theatre artist, says he landed on the idea after making shows on death for the past two to three years.
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"I wanted to investigate what mourning means. I have been observing a lack of collective mourning in urban society. It is entirely absent in society. Nowadays we do not meet to mourn collectively," says Grover.
During his research Grover spent some time in Tirunnelveni and among Oppori singers, of whom he says there is no correct estimate availaible.
Lakshmi, who ran away from her abusive husband provided an intimate autobiographical account of her life and sorrows to a select audience in Delhi, which was visibly moved by the performance. Some people even completely broke down into tears moved by the sheer force of her songs.
"The event was designed for her to see death not just as a private affair but also a lament," says Grover who found a young Tamil singer who expressed interest in learning the ancient sacred art form.
When the younger artist found it extremely difficult and was scoffed at by Laksmi. The performace in Tamil had live translated words beamed through a projecter but Grover says the Delhi audience reciprocated.
"It was fascinating to see that after some time there was no need for a translation.