The exhibition titled "The Eternal Waiting" has on display 18 bronze sculptures of a bull in different avatars - complex, acrobatic and graceful, underlining the relevance of the animal in the sport as well as the cultural traditions of southern India.
One of the statues at Pichaikannu's show underway at Gallery Art Positive here, portrays the bull ready for a Jallikattu race.
The artist who admits that the bull-taming sport is part of the region's culture, feels that it has gradually been transformed into an act of cruelty against the animal and must be practised without making it vicious.
"The real meaning of Jallikattu is 'holding the bull', which is part of the culture, but people have made it into a cruel act. Now, the government has to make sure it is practised without making it vicious," says the artist.
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He is also drawn to the aesthetics and the structure of the bull and has an adulation for other livestock animals like ox, cows, buffaloes as they provide human beings with their basic source of livelihood.
For him, making these sculptures takes him back to his childhood days when they treated the bull as part of the family and even worshipped it.
"I could feel the intensity because I come from an agrarian family. We treat bulls as part of the family and even worship them. The prime example is the 'Nandi' statue that is seen in every Shiva temple.
According to Anu Bajaj, the director of the gallery, "The medium of bronze celebrates life and the sculptures are a tribute to the animal."
The show is set to continue till February 25.