The 34-year-old is one of dozens of students at a school in Lhasa learning the medieval Tibetan art of "thangka" -- minutely detailed paintings depicting Buddhist deities or symbols, usually on cotton canvas or silk scrolls.
But she is not Tibetan. Ethnically Mongol, she moved 2,500 kilometres to embark on seven years of studies.
Beijing's forces took over Tibet in 1951 and the Communist government reviles the exiled spiritual leader the Dalai Lama, but the region's traditional religious art is now increasingly being embraced by outsiders -- including from China's Han ethnic majority -- as both buyers and producers.
In their heyday centuries ago thangkas had patrons and practitioners in Nepal, Bhutan, Tibet and northern India, and in 2009, UNESCO added them to its list of the intangible cultural heritage of humanity, calling them "an integral part of the artistic life of people" on the Tibetan plateau.
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Now there are more than 100 apprentices -- including some Han Chinese, the country's overwhelming ethnic majority -- at Wulan's Danba Raodan school, who get free tuition in return for helping their teachers with their paintings. The students spend 10 hours every day learning how to trace figures in pencil, wield delicate paintbrushes and apply pigment to canvas.
"Beyond the destruction of artworks and monasteries ransacked, looted or burned, a lot of the expertise was lost. Many teachers disappeared or were in prison and could not train young people," said Amy Heller, a Tibetologist and art historian based in Switzerland.
"Even after the Cultural Revolution, it was difficult. The censorship had been such for 10 years that people were reluctant to bring out their thangkas, for fear of being denounced."
Beijing considers the Himalayan region an integral part of its territory -- a view disputed by the Tibetan government in exile and some scholars -- and retorts that it ended serfdom and brought development.
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