What started as a search for the answer as to why did Sahiban sacrifice her lover Mirza ended up in more questions for Mehra, who wondered whether the intensity of these two lovers could resonate even in 2016.
"When I went to Gulzar saab and asked why did Sahiban break Mirza's arrows, he replied, 'Let's find Sahiban and then ask her'. That was the right approach, that let us keep developing the characters. The mystery to me was and still is that why do we hurt those we love the most?
The director says that though the film's essence is Mirza-Sahiban, it's a story of two contemporary characters Adil and Suchi.
As for the answer that he waited for more than three decades, Mehra says, "I have found my answer. I found my Sahiban and it's been a very exciting journey. I have realised the greatest emotion in love is sacrifice. You can be possessive, jealous, make babies, remain immortal through them but sacrifice of any kind is the biggest emotion.
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Mehra says the three-year-old journey of making "Mirzya" became so personal to him that it felt like a rebirth to him as a director, as a person.
It's an ambitious project for Mehra not only from the
story perspective but also because it marks Gulzar's return to film writing after a gap of 17 years and the director knows that is a huge deal.
"So, the important thing was the interpretation. For folklore, there was only line description (by Gulzar) and it is 30 minutes of the film's duration. I decided not to have any dialogues or songs in the folklore. So, it is silent."
"Agreeing to disagree is the healthiest relationship. It means you are giving the other person space and respect. Most often, it would play out that I would tell him, 'No, not this scene, it's not sounding right. I don't agree with how these characters are behaving'.
"Then he would delete it and we would rewrite. After six months, I would call him and say, 'I think we should keep that scene, it goes perfectly with the story. Please add that back,' and he would reply, 'But you asked me to delete it,' to which I would say, 'I didn't get it then. Gulzar saab, such is your writing that it takes six months to understand it!"
"People said, 'You are making the film on such a big scale, so, take big stars and I admit I did think of such faces at first. But I realised they will come with a baggage of audience expectations.
"I wanted the audience to see my characters, not the actors. But the choice to cast new faces was not an easy one as producers were not convinced. So, I put in half the money and that made them realise I had conviction."