It's the right time to establish the concept of "hum", says director Anubhav Sinha whose latest film "Mulk" is that rare mainstream film which engages with contemporary issues and mirrors India's many divisions in the name of patriotism and religion.
The director, whose phone has not stopped ringing with congratulatory messages flooding in, said he wanted to make a sensitive but accessible film.
The Rishi Kapoor-Taapsee Pannu starrer, which centres around the plight of a Muslim family on trial in court and in society because their son becomes a terrorist, has won critical and audience acclaim.
A large chunk of the film is set in a courtroom with the judge delivering a climactic speech, defining the message of oneness and secularism that the film hopes to deliver in these fractured times.
The judge is named Harish Madhok' and his initial would be Hum'. I wanted the audience to agree with him and I am hearing that people are standing and clapping in the final scene. He has ended up representing the thought of people, which is a huge victory, Sinha told PTI in an interview.
Reacting to criticism that the film could have been subtler in delivering its message, Sinha said the loud tone was intentional.
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At a time when news channels are screaming louder than the worst crowd, you can't be subtle if you really want to say something important. I was more interested in getting heard than being called subtle, he said.
Also, I have a take about such films. I insist that these films need to run. It cannot be doing Rs 3 crore lifetime business, which means nobody saw it or a niche audience saw it. I wanted everybody to see it, and I wanted it to be accessible.
The 53-year-old can rest easy.
The film's Monday business was almost equal to its opening day earnings of Rs 1.68 crore. It has made Rs 9.86 crore in just four days, which is great for a small budget film like Mulk.
Sinha, whose career has been chequered at best with films such as Tum Bin, Ra.One and Dus, said Mulk is his best yet.
Something must have shifted inside me that I changed as a filmmaker. I don't know what that was. Someone pointed out to me that I have started reading a lot in the past few years. Now, I will have to be more responsible.
Comparisons with M S Sathyu's 1971 classic Garm Hawa, which dealt with the plight of Muslims in post-Partition India, are humbling, he said
It does not matter who you are, at the end of the day, it matters what you are as a human being."
"It shows the insensitivity of both the police officer and the crowd... As spectators, as audiences, we have become so insensitive that we can at times, if not celebrate it, kind of cheer it."
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