Films nominated for Best Picture are often hit and miss – sometimes some are very good, often many are mediocre, reflecting popular notions about “good cinema”. We tend to forget how much these nominations depend on the marketing and PR moves of the filmmakers and production teams, as well as broader socio-cultural trends.
This year, a surprisingly wide variety of styles and genres are represented in the nominees. Some are quite good and some are pretty forgettable, if not downright awful. Phantom Thread seems suspended between these two categories. There is only one extraordinary film in the mix: