Ladakh possesses enduring mystique as a thriving centre of Tibetan culture but it also has a long history as a trading zone lying astride the caravan routes, which linked India with Central Asia, China and Tibet. If the architecture of its numerous and famous monasteries is unmistakably Tibetan, the frescoes and the wall paintings inside display the more subdued Kashmiri style and idiom, and many of the sacred bronze images, imported from Nepal, reflect its more exuberant Newari art.
I was in Leh last month preparing for a brief trek in the valley of Markha, a tributary of the better known Zanskar river. The enforced stay in Leh in order to acclimatise to the high altitude provided a welcome opportunity to revisit some of its celebrated monasteries like Thiksey and Hemis. These exquisite medieval structures testify to the wealth generated by Ladakh’s history at the cross-roads of Asia and the richness of the art forms, from far and wide, that this wealth could command.
Ladakh is no longer a remote outpost in an India whose connections with its Central Asian neighbourhood remain interrupted. There are signs of prosperity everywhere as its forbidding landscape becomes a magnet for tourists from India and abroad. Leh has become a vast urban sprawl and there are guest houses and hotels springing up in every available nook and cranny. There is a variety of adventures on offer, but there is an inevitable price to be paid for this frenetic growth and intrusion into the hitherto pristine and fragile ecology of India’s only cold desert. Fortunately, there are areas where nature is still holding its own. My five-day trek, tracing the Markha river upstream, is a redeeming experience. It helps to have an unusually congenial group to share the road with and being compli-mented repeatedly about facing the rigours of an arduous walk in the mountains as the sole senior citizen around.
I was in Leh last month preparing for a brief trek in the valley of Markha, a tributary of the better known Zanskar river. The enforced stay in Leh in order to acclimatise to the high altitude provided a welcome opportunity to revisit some of its celebrated monasteries like Thiksey and Hemis. These exquisite medieval structures testify to the wealth generated by Ladakh’s history at the cross-roads of Asia and the richness of the art forms, from far and wide, that this wealth could command.
Ladakh is no longer a remote outpost in an India whose connections with its Central Asian neighbourhood remain interrupted. There are signs of prosperity everywhere as its forbidding landscape becomes a magnet for tourists from India and abroad. Leh has become a vast urban sprawl and there are guest houses and hotels springing up in every available nook and cranny. There is a variety of adventures on offer, but there is an inevitable price to be paid for this frenetic growth and intrusion into the hitherto pristine and fragile ecology of India’s only cold desert. Fortunately, there are areas where nature is still holding its own. My five-day trek, tracing the Markha river upstream, is a redeeming experience. It helps to have an unusually congenial group to share the road with and being compli-mented repeatedly about facing the rigours of an arduous walk in the mountains as the sole senior citizen around.
An ancient wall painting in Kashmiri style at Shey Palace in Leh

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