Popular culture has so often linked the office cubicle with joyless drudgery. Canadian author Douglas Coupland, in the 1991 novel Generation X, likened such workstations to “veal-fattening pens”, secluded shelters where cattle are prepared for slaughter. Dilbert, the protagonist of the comic strip about white-collar jobs, once determinedly noted: “They can make me work in a little box but they can’t crush my spirit.” And the chief character of the cult film Office Space, in a moment of daredevil rebellion, unscrewed and tipped over a cubicle wall that was blocking his view.
It may have taken some decades but the