When I first saw Ram Ray, he was carrying a Kodak Carousel projector in a bag slung across his shoulder.
He emerged from the Brooke Bond lift on his way to meet D P Ghosh, the marketing manager with whom I had just had a two-hour long progress report meeting. (Yes, one did have progress reports meetings in 1978.)
My equanimity had just been shattered, as two-hour meetings with D P Ghosh were wont to do. Short of physically tearing the artworks that I was supposed to have got approved, D P Ghosh had educated me on just how incompetent