After remaining a temple art for centuries exclusively narrating stories from the epic Ramayana, shadow puppetry in Kerala has hit a path of experimentation with a master artist planning to adapt the medium for Shakespearean plays.
The initiative is being taken up by master puppeteer K K Ramachandra Pulavar, who paved the way for experimentation of novel themes in the traditional art in a bid to grab the attention of young audience.
But while experimenting with secular themes, the traditional focus would not be abandoned or the ritualistic purity of the art compromised, he said.
The puppeteers could illustrate the magical stories of epics by dexterous movement of puppets and beaming their shadows on cloth screens.
They enthralled the audience by transforming the cloth screen into a battle field or magnificent palaces in seconds by moving the objects swiftly in the light of wick lamps.
But the art form, known as "Tholpavakuthu" in Kerala, is in crisis now due to a host of reasons including the fast dwindling number of viewers, domination of new forms of entertainment and absence of talented artists.
The ritualistic art form was once a sought-after item during temple festivals in the state, but its glamour gradually faded over the decades in the flood of new modes of entertainment like cinematic dance, comedy shows and mimicry.
The lack of knowledge of the new generation about the history and legacy of the art form is one of the major problems it faces, says the Pulavar.
'Pulavar' is the title given to the puppeteers in Kerala.
"Shadow puppetry is one of the oldest art forms in the world. It is as old as human race. Humans have been practicing this art form since they had realised the flexibility of their body and the scope of sign languages.
"Unfortunately, our youngsters are not at all aware about the glory and tradition of this visual art," the Pulavar told PTI.
