Cloth bags sporting poems and ideas of Rabindranath Tagore sewn in beautiful calligraphy, an art whose practitioners have dwindled to just a handful in the country, are among a variety of products churned out by children from the city's impoverished communities.
Mohammed Akbar, 19, who hails from a slum in Seelampur and who began stitching at an early age to support his family, found his calling in calligraphy.
Defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner", calligraphy is "known in very few circles" says Qamar Dagar, who has over the years exhibited her pictorial calligraphy in India, United States and France.
"People know very little about calligraphy. They have a notion that calligraphy cannot be done in all scripts, which is wrong. One does not need to understand a script to enjoy calligraphy; it can be looked at as a pure design," Qamar says.
Ranging from leaves, mica, marble, wood, metals, ceramic, pottery, stones and fabrics calligraphists have worked on multiple platforms.
Meanwhile, Aseem Asha Usman, imparts training to children from impoverished communities in calligraphy through his Delhi-based organisation 'Flying Birds of India'.
"We at Flying Birds teach our children to fly high with their dreams. We scout for talent from uncharted territories. We believe in imparting skills rather than providing only economic benefits for the social upliftment of the children," says Usman.
Mohammed Akbar is one of those the foundation helped. So also are Fahana and her friend Adeeba. The girls label their art as "a way of getting back at a society that always restricts girls from pursuing their dreams."
"We are greatly inspired by Tagore's philosophy that teaches freedom and individuality. Our paintings based on the life and teachings of Tagore are our way of expressing ourselves and telling the world that girls are not restricted to the four walls of the house," says Adeeba.
Farhana, says that her parents were initially reluctant to send her to learn art but have supported her after seeing her work.
"I come from an orthodox Muslim community, where art has less value, especially for girls. But my desire to paint and the help from the foundation helped me to convince my parents. Today even my parents accompany me for my exhibitions," says Farhana with a smile.
