As virtual reality breaks into the art world at all levels, a host of questions about curation, conservation and commercial value is still being explored.
The Berlin-based artist Olafur Eliasson said that we were only in “the Stone Age” or prehistoric period for the medium.
“There is a new space out there where a lot more people will have access to artistic experience,” he said last week in a panel discussion here at the Art Leaders Network hosted by The New York Times. He added that “the quality of the glasses is getting so much intensely better” over the three years he